вЂThe ChaseвЂ™ features heavy вЂRiot!вЂ™-era Paramore vibes вЂ“ most likely courtesy of producer David Bendeth вЂ“ while on вЂOne Man ArmyвЂ™, a stripped-back verse soars into an uplifting, epic chorus that shows off KellinвЂ™s vocal range.Д®lsewhere, вЂI Need To KnowвЂ™ combines PVRIS-esque guitar with a moving, arms-in-the-air ballad thatвЂ™s built for late nights, outdoor venues and phone lights. вЂEmpire To AshesвЂ™ sizzles with electronics and chunky riffs and features the heaviest moment of the album вЂ“ a truly chaotic breakdown вЂ“ while lyrics like, вЂњYou can call it cynical, maybe IвЂ™m just miserable / But thereвЂ™s no way IвЂ™m giving inвЂќ feel like a pre-emptive response to the backlash this album may well face. Handclaps and sleazy instrumentals that are minimal on guitar but big on drama and melody rule, while Kellin Quinn croons вЂњDonвЂ™t believe the lies you heard about meвЂќ вЂ“ the bandвЂ™s first major sidestep away from the scene they grew up in. ThatвЂ™s never more evident than on the title track and album opener. With their fifth album, theyвЂ™re not just shooting for something bigger, but for something entirely new. They travelled the world, got a whole lot bigger and pretty much dominated last summerвЂ™s Warped Tour off the back of it.

And with вЂGossipвЂ™, Sleeping With Sirens are most definitely twisting.Дў015вЂ™s вЂMadnessвЂ™ did well commercially and critically it was a glossy, breakneck combination of everything weвЂ™ve come to know and love about the Florida quintet. They have to decide whether to continue with whatвЂ™s working, or to strike out in search of something more. Bigger than album artwork and song titles or which record label to go with (if they even want one). There comes a time in pretty much every bandвЂ™s career when they have to make the decision.Д«igger than their look.

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